One of the questions I am most frequently asked by my students has to do with how to mix greens. No other color generates as much confusion regarding how it is mixed. Green is produced when you mix blue with yellow. However, as most blue and yellow pigments are not pure colors i.e. they contain a little of a second or third primary (red, yellow or blue) color, there is a tremendous range of pigments which can be used, in combination, to produce a green. I think this may be one of the reason artists can have trouble mixing it. Continue reading “How to mix greens using watercolors”
I recently went on a 5-day plein air painting trip to the town of Tumut in NSW. The weather was perfect, with the main challenge being the changing light. Unlike most other places in New South Wales, where evergreen trees predominate, around the Tumut region, there are plenty of deciduous trees which add lots of Autumn colors – hence the reason for my visit. Continue reading “Plein air painting lesson – Changing light”
Most artists use photos for painting at some point in their career. For some, they are the only reference they use, while for others they are rarely used. If you are going to be working from photos, there are a few things you need to be aware of if you want your artworks to succeed. Continue reading “How to use photos for painting”
A common question I get asked by new students, or while doing a demonstration is, do I wet watercolor paper first or not?
Rather than giving a simple yes or no answer to this question I must first talk about what happens when the paper is wet. With watercolor painting answers are easier to find by looking at what the water is doing. Continue reading “Wet watercolor paper first or not”
Plein air watercolor painting has many challenges however its benefits make any effort you make well worth it. Not only has my work improved dramatically through painting outdoors but I also find the experience very relaxing and beneficial mentally. Continue reading “Plein air watercolor painting”