The pen, ink and watercolor wash demonstration starts with the selection of a suitable reference photo. In this case the photo is of my wife’s favorite tree in our garden. I looked for an image with a nice composition (though I still had to adjust it slightly) and a strong light and dark pattern.
It then covers the materials required and how to do the ink drawing which is done directly without any prior pencil sketching. Usually I find when I tell my students that they are to draw directly with the ink they get all nervous and concerned. However it usually surprises them just how well they do.
By drawing directly with ink it forces students to think and observe more, before they actually touch their watercolor paper with their ink pen. I have found this improves their overall drawing skills as it helps them to develop good drawing habits.
Also because the ink is permanent, it teaches them to just lay down a mark or an ink wash and just leave it. As the ink is permanent it removes the temptation to fiddle. Fiddling with the watercolor paint on your paper is a common problem for beginner watercolor artists.
Pen and ink is also quite a forgiving medium as it is very hard to create a muddy look as often happens with a failed watercolor painting.
After the pen outline is done I allow it to dry thoroughly. In the next to final stage in this pen and wash painting I cover how to lay a loose watercolor wash over the magnolia flowers and stems.
The painting is finished with a very loose and sketchy watercolor wash for the background.
If you have an interest in pen and wash work you may like to have a look at my demonstration.
I have just finished posting my latest watercolor (watercolour) landscape demonstration. It is of the Grose River which runs through the Blue Mountains on the edge of Sydney, Australia. This location is very close to my home.
The demonstration covers a range of watercolor painting techniques which include painting skies and clouds, how to paint water, reflections and masses of trees and shrubs.
It also discusses how you can use a fan brush to paint certain type of trees.
Now the sand is done we will now look at painting the sea.
Using the same mix of watercolor paints but make sure the consistency is stronger than that used for the sky; we use a dry brush technique to paint the water.
I use the point of my brush to establish the horizon line and then use the side of the brush with quick horizontal dry brush strokes to create the sea and waves.
I add a little clean water to the mix in my brush for the foreground water and waves.
The trick is to leave just enough untouched white patches in the sea area that they look like the white of waves. If you have too many, the sea looks very choppy, not enough white and it looks too calm or maybe like a lake.
This watercolor painting is nearly finished now, once we paint the figures.
Painting small figures
To paint these people, figure 9, start by using an almost buttery mixture of French Ultramarine and Burnt Sienna (learning towards the brown) to paint the head, arms, and legs. Notice the legs are drawn with dry brush strokes that are of different lengths, this is done to give them the feeling of motion.
If both legs are touching the sand with sharp edges, the figures will look stationary.
Then use the same mixture with some more blue added for the shorts.
For their shirts I use a weak tea strength mixture of these two colors and shade in the sides of their clothing away from the sun, some parts of the shirt are left untouched. Notice that the shadows on the shirt are irregular to give the feeling of motion and surface variety.
By using a quick semi dry brush stroke we can give the impression of sea weed on the sand. By giving it a bit of a curve we can more gracefully lead the eye into our painting, it also adds more interest to the sand.
The foreground rocks are painted with almost pure paint with just enough water for it to flow off the brush. Again remember to leave highlights. Also make sure the rocks vary in size or they will look unnatural and boring.
Before the rocks dry, get a damp brush and soften their edges here and there at their bases. This will help anchor them to the sand and not make them look like they were stuck on as an afterthought.
Now put in the birds in the sky. The key to this is to use birds as a device to direct the eye of the viewer where you would like it to go. Don’t just put them any old where. Also vary the space between the birds, their size and the angle of their wings.
Birds in the sky can also be used to add interest if the sky is looking a bit too plain and open.
The birds on the wet sand are painted by first putting a little flick of paint to represent a bird. Then under each bird, leave a little gap (for their legs which are too thin to show) and then place a little dab of the same colored paint underneath. You then get your finger and touch this dab and drag in down the page to create a little dry brush (with your finger) stroke under each bird – this should read like the birds reflection.
If you put these birds on the part of your painting which is supposed to be dry sand then they will not have a reflection, but will instead have a shadow that is away from the light source (usually the sun). Remember when painting reflections and shadows – reflections are towards the viewer or the bottom of the painting while shadows are away for the source of light in your landscape (usually the sun).
The shadow for the two figures is the last step in this painting, though it could have been done any time after the figures were painted in. A couple of quick irregular brush strokes starting from the figures legs and away from the direction of the sun with give their shadow and the painting is done!
As you can see, even with a relatively simple two color painting as this there are many steps to consider with a watercolor painting. By thinking through any of your paintings in this way, and deciding when to let various sections dry, what painting consistencies to use and what type of edge (wet on wet, dry brush, wet on dry, etc) to use where, you can tackle any watercolor painting with increased confidence.